I'm in a state of disbelief that tomorrow is Battle Road 2012 at Minute Man National Historic Park. This year is flying by, and before we know it this year's reenacting season will be over.
Tomorrow is my first big reenactment. I'm nervous, and excited, and feel completely unprepared! But it will be fun, the weather is going to be outstanding (which I attribute to me, finally getting to attend!), and I can't wait to get on with it. It will be an early, and long day, but an exciting one, too!
God save the King!
Showing posts with label reenacting. Show all posts
Showing posts with label reenacting. Show all posts
13 April, 2012
18 January, 2012
Twelfth Night Wrap-up, and More Projects
Every time I log into Blogger and see that I have more followers, even after not blogging for several works, it gives me the urge to write. So, thank you to the many new followers for joining, and I will certainly do my best to continue posting!
This past Friday evening was the Sudbury Twelfth Night colonial ball; it was held at the Wayside Inn, in Sudbury, MA, and it was my first ball! I have yet to see any photos that include me, but when I get them I will be sure to post them. I wore my printed cotton gown (since it's the only gown I own!), with a hip roll and I added silk ribbons and brass buttons to polonaise it in the back. The wig looked amazing, my dear friend Miss Liz did such an amazing job with it and I am eternally grateful to her for taking the time to simultaneously style it and explain how she was styling it (not to mention purchasing it and the accessories to help make it big, as well as to decorate it). It was a huge compliment when a local, well-known wig maker told me that he loved my hair, it certainly gave me a bit more bounce in my step!
The best part of the whole evening was just enjoying the company of my friends; I really felt like I've become a reenactor, and am not some 21st century gal just playing dress up in reproductions of old clothes. That feeling was validated when Miss Hallie told me how beautiful I looked, and how I was really carrying myself correctly, and actually wearing the clothes. We both agreed that I had come a very long way from the first time I tried her gowns on, posing like someone was taking my photos for Facebook or Myspace! I am just in awe of my friends, they are amazing people and I truly adore them and appreciate all of their help with my newbie questions. You guys know who you are!
In addition to Twelfth Night, that weekend was also the kick-off of the new Hive season! Prior to the Sunday Hive, I enrolled in a shirt workshop for that Saturday, and had a great time learning some very helpful new tricks. Eventually, my rectangles and squares of fabric will become a riding habit shirt; it is similar to a man's shirt but shorter. It is also giving me the skills and know-how to finally make a shift (I was positively delighted when my $20 cotton muslin shift that I purchased a few days before an event over the summer started ripping at the center back of the neck on Sunday morning!); I'm using a teeny needle and trying to make incredibly small backstitches: every thread of the linen is a backstitch. So yes, very teeny! And loads of stitches per inch. I will be photographing some of the seams eventually, I just hope they appear as it's white-on-white! One helpful trick I learned was pulling threads to create a cutting guide; I have a terrible time trying to cut straight and now that I know how to pull a linen thread across the warp and weft, I will no longer have crooked cuts!
Sunday's Hive was a great first session, and I was asked to speak in one of the sessions. That is totally a Really Big Deal and I was honored to speak in the session called Using Props as Interpretive Tools. I gave a newbie's perspective on how you can use your clothing as your prop, and the research that has gone into the garment as well. I spoke after one of the NPS Park Rangers, who is an award-winning interpreter and does this daily (he is also the hubby of my good friend 'Mrs. Derby,' aka Miss Em). Those were some big shoes to fill, and I could certainly see why he's won awards! When Minute Man opens back up again to reenactors volunteering at the various houses, I will be volunteering with 'Mr. Derby' and soaking up all of his knowledge.
I'm still working on my stays (albeit incredibly slowly; did I mention I have a tight deadline to finish them, too?), and need to blog about the Mercy Bradford Cloak Mystery. Miss Hallie examined the cloak with me and answered all of the questions I had about the cloak as a garment; I still have to do the genealogical research to see if we have a Bradford or Brewster descendant. How I wish I could ask the donor!
Speaking of the museum, I'm busy working on their next big exhibit that is opening February 1st and will be up until December 31st, called Written, Printed, & Drawn: Rarities from Plymouth's Past. It's all maps, rare documents, and rare books, and promises to be a great show. There will even be a small section dedicated to the War of 1812! I've already created the 6'x6.5' vinyl banner and sent that off to the printer and we're working on the text panels. I was given loads of creative freedom and we are having a fabulous time working on them. I'm so excited for the show to open up!
This past Friday evening was the Sudbury Twelfth Night colonial ball; it was held at the Wayside Inn, in Sudbury, MA, and it was my first ball! I have yet to see any photos that include me, but when I get them I will be sure to post them. I wore my printed cotton gown (since it's the only gown I own!), with a hip roll and I added silk ribbons and brass buttons to polonaise it in the back. The wig looked amazing, my dear friend Miss Liz did such an amazing job with it and I am eternally grateful to her for taking the time to simultaneously style it and explain how she was styling it (not to mention purchasing it and the accessories to help make it big, as well as to decorate it). It was a huge compliment when a local, well-known wig maker told me that he loved my hair, it certainly gave me a bit more bounce in my step!
The best part of the whole evening was just enjoying the company of my friends; I really felt like I've become a reenactor, and am not some 21st century gal just playing dress up in reproductions of old clothes. That feeling was validated when Miss Hallie told me how beautiful I looked, and how I was really carrying myself correctly, and actually wearing the clothes. We both agreed that I had come a very long way from the first time I tried her gowns on, posing like someone was taking my photos for Facebook or Myspace! I am just in awe of my friends, they are amazing people and I truly adore them and appreciate all of their help with my newbie questions. You guys know who you are!
In addition to Twelfth Night, that weekend was also the kick-off of the new Hive season! Prior to the Sunday Hive, I enrolled in a shirt workshop for that Saturday, and had a great time learning some very helpful new tricks. Eventually, my rectangles and squares of fabric will become a riding habit shirt; it is similar to a man's shirt but shorter. It is also giving me the skills and know-how to finally make a shift (I was positively delighted when my $20 cotton muslin shift that I purchased a few days before an event over the summer started ripping at the center back of the neck on Sunday morning!); I'm using a teeny needle and trying to make incredibly small backstitches: every thread of the linen is a backstitch. So yes, very teeny! And loads of stitches per inch. I will be photographing some of the seams eventually, I just hope they appear as it's white-on-white! One helpful trick I learned was pulling threads to create a cutting guide; I have a terrible time trying to cut straight and now that I know how to pull a linen thread across the warp and weft, I will no longer have crooked cuts!
Sunday's Hive was a great first session, and I was asked to speak in one of the sessions. That is totally a Really Big Deal and I was honored to speak in the session called Using Props as Interpretive Tools. I gave a newbie's perspective on how you can use your clothing as your prop, and the research that has gone into the garment as well. I spoke after one of the NPS Park Rangers, who is an award-winning interpreter and does this daily (he is also the hubby of my good friend 'Mrs. Derby,' aka Miss Em). Those were some big shoes to fill, and I could certainly see why he's won awards! When Minute Man opens back up again to reenactors volunteering at the various houses, I will be volunteering with 'Mr. Derby' and soaking up all of his knowledge.
I'm still working on my stays (albeit incredibly slowly; did I mention I have a tight deadline to finish them, too?), and need to blog about the Mercy Bradford Cloak Mystery. Miss Hallie examined the cloak with me and answered all of the questions I had about the cloak as a garment; I still have to do the genealogical research to see if we have a Bradford or Brewster descendant. How I wish I could ask the donor!
Speaking of the museum, I'm busy working on their next big exhibit that is opening February 1st and will be up until December 31st, called Written, Printed, & Drawn: Rarities from Plymouth's Past. It's all maps, rare documents, and rare books, and promises to be a great show. There will even be a small section dedicated to the War of 1812! I've already created the 6'x6.5' vinyl banner and sent that off to the printer and we're working on the text panels. I was given loads of creative freedom and we are having a fabulous time working on them. I'm so excited for the show to open up!
21 October, 2011
"Preserving the Harvest."
In the Boston area and looking for something 18thc. to do and see? Come learn about "Preserving the Harvest" tomorrow, 10am to 4pm, at the Hartwell Tavern in the Minute Man National Historic Park!
From The Hive's website:
From The Hive's website:
"Take part in a living history day at Hartwell Tavern where we will be ensuring our food supply for the winter and early spring by employing period food preservation techniques. From meat to fruits and vegetables you'll be able to both watch and participate in preparing foodstuffs for winter storage. Before refrigeration, one had to utilize a variety of methods to make harvest last. You'll learn how drying, pickling, salting, brining, cellaring and canning were done, as well as how some of these foods were reconstituted for later use."I will be there in kit (with my completed pocket around my waist!) making butter, and potentially milking a Devon cow to make butter from her milk. Come say hello and learn something new!
26 September, 2011
If wishes were riding habits.
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| Marie Antoinette hunting with Louis XVI in the background. Louis-Auguste Brun, 1783. Private collection. |
When I ride, I sometimes slip from the 21stc. to the 18thc. and pretend I'm riding behind the hounds, through the thick forests, dressed in a beautiful habit--the color and material changes with the seasons. Green and worsted wool for cool springtime rides; indigo Irish linen in the warm summer; red like the blazing maple leaves in the fall, or brown later in the season, like the bare trees. While I ride astride, I do long to learn to ride aside, but thankfully there is evidence of split-skirts in 18thc. riding habits so I won't have to--one day, though. It's on my to-do list.
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| Marie Antoinette at the age of 28. Louis-Auguste Brun, 1783. Versailles. |
One day, when my sewing skills are more advanced, I will research more carefully a riding habit for myself. More like a few; one to wear in conservative New England at events and another inspired by Marie Antoinette (I particularly love the lavender or lilac habit in the painting above). Maybe even her military-esque habit to the left; why not, right? All that stops me is my own fear and imagination (okay, and money). Fear kept me from riding for several years, but I've conquered it and ride like I have no fear (or try to, fake it 'til you make it, right?). I can certainly conquer sewing in the same manner.
And an interesting note, Marie Antoinette is just a year older than I am in the painting of her astride her warhorse.
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| My warhorse, Galli. This was one of my Christmas card photos last year. |
17 September, 2011
100%.
That's me. In my gown. At the North Bridge in Concord, Massachusetts. It is complete, and I am in love with it.
13 September, 2011
What a weekend! Part 2 of 2.
That mound of sewing I was talking about yesterday ... oy. Though I'm nearly complete with what needs to be done, it still was stressful and intense and I can't lie, I thought there was a chance I'd be borrowing a gown for this weekend.
Luckily, I have a fabulous support system and I'm really on my way to completing my very first gown.
After the photo shoot, I donned my stays, pulled out my gown and we set straight to work. I though I was almost done; but those damned sleeves! My sleeve pattern ended up having to be redone, the sleeves that I'd backstitched in were taken off, and we found out that one of the back pleats needed to be resewn as well. At first, it was believed that we didn't actually need to take the sleeves off; I'd accidentally caught a bit of the fashion fabric while backstitching the left sleeve in, so cutting that thread should solve the problem. Right?
No.
In the eleventh hour of Saturday, the sleeves came off, and with a new pattern I cut them from my remaining yards of fashion fabric. If you've been keeping track, that would be pair number three of sleeves. Then, I accidentally made two left sleeves, so I had to redo one. Three-and-a-half. The theme of Saturday was, "Thank God I bought eleven yards of fabric!"
The skirts are pleated and basted in, but one part needs to be reworked, then I have to stitch them down in a spaced backstitch. I've already backstitched the sleeves in, both on the bottom as well as on the top, both under and over the robings. The lining is whipped down to the front of the bodice. Friday, I'm going back down to Hallie's and we're hemming the sleeves, making cuffs, and putting the back turn down on the top back of the bodice. I also need to hem the gown before then.
In addition, I have one-half of a petticoat, with a second that needs to be made, and I still have to make my linen work bag with embroidery. I would really like to get to the embroidery since it will be practice for embroidering my pocket. I'm borrowing a cap and neck handkerchief, but eventually will be making my own.
Phew. That's a lotta work! But I'm up to the challenge, and looking forward to it. I've already decided that my next gown is going to be a runaway impression; I had so much fun portraying a runaway that it would be neat to research my own for that specific event, though my main impression is middling class. Plus, runaway ads are excellent research, and I'll get to make other pieces of clothing with it, as they usually took a number of things with them.
And big huge bonus: Hallie has an extra dressform that will become mine! I've been working on the flat, and had I been working on a form, I probably could have recognized that something wasn't working and stopped. So that makes me extra excited for making more garments.
Luckily, I have a fabulous support system and I'm really on my way to completing my very first gown.
After the photo shoot, I donned my stays, pulled out my gown and we set straight to work. I though I was almost done; but those damned sleeves! My sleeve pattern ended up having to be redone, the sleeves that I'd backstitched in were taken off, and we found out that one of the back pleats needed to be resewn as well. At first, it was believed that we didn't actually need to take the sleeves off; I'd accidentally caught a bit of the fashion fabric while backstitching the left sleeve in, so cutting that thread should solve the problem. Right?
No.
In the eleventh hour of Saturday, the sleeves came off, and with a new pattern I cut them from my remaining yards of fashion fabric. If you've been keeping track, that would be pair number three of sleeves. Then, I accidentally made two left sleeves, so I had to redo one. Three-and-a-half. The theme of Saturday was, "Thank God I bought eleven yards of fabric!"
The skirts are pleated and basted in, but one part needs to be reworked, then I have to stitch them down in a spaced backstitch. I've already backstitched the sleeves in, both on the bottom as well as on the top, both under and over the robings. The lining is whipped down to the front of the bodice. Friday, I'm going back down to Hallie's and we're hemming the sleeves, making cuffs, and putting the back turn down on the top back of the bodice. I also need to hem the gown before then.
In addition, I have one-half of a petticoat, with a second that needs to be made, and I still have to make my linen work bag with embroidery. I would really like to get to the embroidery since it will be practice for embroidering my pocket. I'm borrowing a cap and neck handkerchief, but eventually will be making my own.
Phew. That's a lotta work! But I'm up to the challenge, and looking forward to it. I've already decided that my next gown is going to be a runaway impression; I had so much fun portraying a runaway that it would be neat to research my own for that specific event, though my main impression is middling class. Plus, runaway ads are excellent research, and I'll get to make other pieces of clothing with it, as they usually took a number of things with them.
And big huge bonus: Hallie has an extra dressform that will become mine! I've been working on the flat, and had I been working on a form, I probably could have recognized that something wasn't working and stopped. So that makes me extra excited for making more garments.
09 September, 2011
Maybe I'm more mathematical than I thought.
I'm pleating my printed cotton petticoat right now, and it's kind of awesome! I found it a bit difficult to do on the skirt panels for my gown, but with a flat, very straight-forward piece of fabric, it's really rather easy to do.
That may change when I have to do them backwards on the back panel, though!
I had to piece together the petticoat as my fabric was only about 46 inches wide. This makes it more accurate and authentic, as looms back in the 18thc. were much, much smaller then modern ones. 60 inches of fabric may make it really easy, but maybe consider buying smaller pieces of fabric or chopping up the larger fabrics to make it accurate!
These are my photographs. Please do not take or use them without permission.
That may change when I have to do them backwards on the back panel, though!
I had to piece together the petticoat as my fabric was only about 46 inches wide. This makes it more accurate and authentic, as looms back in the 18thc. were much, much smaller then modern ones. 60 inches of fabric may make it really easy, but maybe consider buying smaller pieces of fabric or chopping up the larger fabrics to make it accurate!
 |  |
| The center front box pleat. I made it about 4 inches. | The seam where I had to piece together the petticoat. |
These are my photographs. Please do not take or use them without permission.
04 September, 2011
The light at the end of the tunnel.
My apologies to my readers for my absence yesterday! It was a day filled with driving, sewing, and working on my printed cotton gown. I wanted to blog about it last night, but I fear that a second glass of wine did me in (oops).
The end is nigh for my first 18thc. creation! It is so amazing to think how close I am to completing it (and sort of freaking out because I don't want it to end!), when in the beginning I was a panicked mess and truly thought I would never finish. Mind you, this gown is the first thing I've ever created--yeah, you heard that right, I've never sewn. Really, truly, never sewn from start to finish. Hemming, sewing holes? Who hasn't done that? I had no idea the stitches I was doing, I just knew to thread the needle and go. And now, I know many different names of stitches, and the gown is almost done!
Currently, the gown has the skirt panels pleated and basted, and they are basted to the bodice on both sides, and ... the sleeves are on! They have been backstitched into the armscye and when I get together with Hallie next weekend, they will be completed (holy crap!). I have instructions on how to piece together my petticoat--the printed cotton is only about 46" wide, so there will be a few panels--as well as how to make a petticoat with wider fabric, which I will be ordering. I'm also making a practice linen workbag to hold all of my sewing notions and tools, and after that will move on to making a silk one. For the historic crafts day I'll be borrowing a cap and neck handkerchief, but plan on making those as soon as I can. I will probably need to borrow an apron, too. There's lots to do but I still have time.
The following weekend is a colonial faire and muster that I'll be attending with a friend, but after that I will have about a month until another event, so I figure my cap, apron, and handkerchief can wait until then. There is no shame in borrowing what you need but don't have!
Photos of the gown to come soon, as well as my bit of research on embroidery!
Lastly--I'm suddenly up to 8 readers! Hi there, and thanks for following my journey!
The end is nigh for my first 18thc. creation! It is so amazing to think how close I am to completing it (and sort of freaking out because I don't want it to end!), when in the beginning I was a panicked mess and truly thought I would never finish. Mind you, this gown is the first thing I've ever created--yeah, you heard that right, I've never sewn. Really, truly, never sewn from start to finish. Hemming, sewing holes? Who hasn't done that? I had no idea the stitches I was doing, I just knew to thread the needle and go. And now, I know many different names of stitches, and the gown is almost done!
Currently, the gown has the skirt panels pleated and basted, and they are basted to the bodice on both sides, and ... the sleeves are on! They have been backstitched into the armscye and when I get together with Hallie next weekend, they will be completed (holy crap!). I have instructions on how to piece together my petticoat--the printed cotton is only about 46" wide, so there will be a few panels--as well as how to make a petticoat with wider fabric, which I will be ordering. I'm also making a practice linen workbag to hold all of my sewing notions and tools, and after that will move on to making a silk one. For the historic crafts day I'll be borrowing a cap and neck handkerchief, but plan on making those as soon as I can. I will probably need to borrow an apron, too. There's lots to do but I still have time.
The following weekend is a colonial faire and muster that I'll be attending with a friend, but after that I will have about a month until another event, so I figure my cap, apron, and handkerchief can wait until then. There is no shame in borrowing what you need but don't have!
Photos of the gown to come soon, as well as my bit of research on embroidery!
Lastly--I'm suddenly up to 8 readers! Hi there, and thanks for following my journey!
01 September, 2011
A quick fly-by: Something to look forward to!
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| It's shaped! (Pardon the messy desk) |
Just a quick little post about something I finally got around to last night: shaping my hat! After I post my embroidery research, I'll show the process I did to shape it. Super easy to do, and it was dry by this morning. All it needs now is some simple trim around the crown and maybe some ties--I'll be using hatpins with it (see that piece of white next to my now-defunct Borders card? It's holding 3 hatpins!), so I may not add ties. It also depends on if I bought enough silk ribbon!
29 August, 2011
Wm. Booth delivers!!
Finally, after waiting what seemed like an eternity (it was 9 days), my bag of goodies from Wm. Booth, Draper arrived in the mail today. Like a kid in a candy store, I ripped into the yellow package to reveal my spoils ...
I'm saving the pocket kit for the Minute Man National Historical Park's open house and historic craft day, but I just had to open it up and see all the goodies inside.
Methinks I need to find an appropriate basket to carry this all in! Any recommendations, dear readers?
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| One pocket kit by my friends Hallie and Sam Larkin (Sam illustrated these kits from extant examples), remnant burgundy ribbon for garters & a cap, silk thread, and 1/2 inch ribbon for my straw hat. |
I'm saving the pocket kit for the Minute Man National Historical Park's open house and historic craft day, but I just had to open it up and see all the goodies inside.
 |
| The colors are way off, the threads are beautiful! |
Methinks I need to find an appropriate basket to carry this all in! Any recommendations, dear readers?
22 August, 2011
Some links for your enjoyment
It may be August, but it's never too early to think about capes in New England: http://bit.ly/ooHu0n
Why yes, you can place that elaborate, ornate gold box on my dresser any time: http://bit.ly/ns1N0U
Costumers and reenactors aren't the only people bringing the 18th century to life: http://bit.ly/o03zAy
A collection of stars on the stomacher, and all over the gown? Yes, please! http://bit.ly/lv7aEv
Mitts for keeping the sun off your forearms (and covering up your tattoos): http://bit.ly/pe44ix
Mind = blown: Stay-lacing cord with a built-in bodkin! *Angels singing*: http://bit.ly/nXrSCg
Why yes, you can place that elaborate, ornate gold box on my dresser any time: http://bit.ly/ns1N0U
Costumers and reenactors aren't the only people bringing the 18th century to life: http://bit.ly/o03zAy
A collection of stars on the stomacher, and all over the gown? Yes, please! http://bit.ly/lv7aEv
Mitts for keeping the sun off your forearms (and covering up your tattoos): http://bit.ly/pe44ix
Mind = blown: Stay-lacing cord with a built-in bodkin! *Angels singing*: http://bit.ly/nXrSCg
18 August, 2011
A New Project in the Works!
I am quite excited to announce my involvement in an enormous undertaking of research, garment creation, and sewing, to culminate in a garden party and muster day next summer, at the Minute Man National Historical Park! It's the perfect opportunity to really be "stuck" in the 18th century, and immerse myself in truly learning the techniques of period sewing (not to mention, be able to use the years of research methodology classes and examine primary sources!).
I'm the newcomer in all of this (sewing-wise, that is), so my hope is that I'll remind others what it's like to be a neophyte again, maybe a teeny bit over their head, and also to inspire other newcomers to just take the plunge! I'm finding, and I've been told, that breaking into this hobby is hard for a woman; I hope that after this project is completed, a few more will join the ranks.
The project is called the "Crazy Concord Chicks" and you can read all about it on our blog. There are 10+ people in this project, and we all have our own standalone pages that get pushed to the main blog. My section is the "Younger Set," with another young lady. We're thinking we need to be the "little rich girls" that get dressed up and sort of emulate the "HEYDAY! Is this my DAUGHTER ANNE!" satire.
And have no fear, this fledgling blog is not going anywhere. I'll be crossposting from the Crazy Concord Chicks, as well as documenting the process for whatever gown I end up choosing. Lots of work, yes, but this is going to be so much fun!
"HEYDAY! Is this my DAUGHTER ANNE!" linked from "A Catalogue of 18th-Century British Mezzotint Satires in North American Collections." By F.E. Adams, 1773. Found in two collections: New York Public Library (B1970.3.970) and Lewis Walpole Library (779.10.11.1).
I'm the newcomer in all of this (sewing-wise, that is), so my hope is that I'll remind others what it's like to be a neophyte again, maybe a teeny bit over their head, and also to inspire other newcomers to just take the plunge! I'm finding, and I've been told, that breaking into this hobby is hard for a woman; I hope that after this project is completed, a few more will join the ranks.
The project is called the "Crazy Concord Chicks" and you can read all about it on our blog. There are 10+ people in this project, and we all have our own standalone pages that get pushed to the main blog. My section is the "Younger Set," with another young lady. We're thinking we need to be the "little rich girls" that get dressed up and sort of emulate the "HEYDAY! Is this my DAUGHTER ANNE!" satire.
And have no fear, this fledgling blog is not going anywhere. I'll be crossposting from the Crazy Concord Chicks, as well as documenting the process for whatever gown I end up choosing. Lots of work, yes, but this is going to be so much fun!
"HEYDAY! Is this my DAUGHTER ANNE!" linked from "A Catalogue of 18th-Century British Mezzotint Satires in North American Collections." By F.E. Adams, 1773. Found in two collections: New York Public Library (B1970.3.970) and Lewis Walpole Library (779.10.11.1).
11 August, 2011
In the beginning ...
There was a dress. Not just any dress, but an 18th century gown. Based on an original in the Kyoto Costume Institute, it was a pink, yellow and green crossbarred silk taffeta robe a la français.
I wore that dress nearly two years ago to the day.
It was the beginning of a head-first plunge into living history, reenacting, learning about sewing, garments, gown construction. I was hooked, bitten by this gown, by the stays that transformed my body, by my suddenly small waist and huge, false hips, by the feeling of wearing the past. I am still giddy over that gown.
Now, two years later, I've embarked on a journey to learn how to hand sew in the period technique, how to construct my own 18th century wardrobe, and soak up as much knowledge and information and education that my brain can absorb. How fortunate am I to have my own 18th century Fairy Godmother, who has taken me under her wing and began my 18th century education the right way? And for the introduction to her through a friend and professional colleague (who has always believed in me, no matter what ridiculous direction I happen to throw myself into); it truly made me believe in fate.
And so, this is the beginning. Bring band aids.
I wore that dress nearly two years ago to the day.
It was the beginning of a head-first plunge into living history, reenacting, learning about sewing, garments, gown construction. I was hooked, bitten by this gown, by the stays that transformed my body, by my suddenly small waist and huge, false hips, by the feeling of wearing the past. I am still giddy over that gown.
Now, two years later, I've embarked on a journey to learn how to hand sew in the period technique, how to construct my own 18th century wardrobe, and soak up as much knowledge and information and education that my brain can absorb. How fortunate am I to have my own 18th century Fairy Godmother, who has taken me under her wing and began my 18th century education the right way? And for the introduction to her through a friend and professional colleague (who has always believed in me, no matter what ridiculous direction I happen to throw myself into); it truly made me believe in fate.
And so, this is the beginning. Bring band aids.
 |
| Me, August 2009. Gown by the amazing Hallie Larkin, my 18thc. Fairy Godmother, to whom I owe my 18thc. obsession to. Photo by Ed Nute. |
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