Money is tight for many of us, and I am no exception. One of my favorite pastimes is to browse online fabric stores for items within my budget for future reference as well as for textiles which I would never be able to buy unless I a.) hit the lottery, b.) married very well, or c.) suddenly came into a high-paying position or inheritance. I've struck out on all three so far, so I'm stuck to window shopping.
Have you heard of Design Diva Fabrics? My source for all things textile knowledge told me about this whacky site. It's whacky in that they are ALWAYS running sales, and those sales change by the minute. Yes, you can go look at a fabric, refresh the page, and the price has changed. It's totally bizarre, but so much fun to browse! The prices range from what we consider normal for such things as taffeta all the way up to the most outrageous lampas--we're talking close to $1000 for a yard. Pick your jaw up off the floor now!
Currently, Design Diva is having a sale--80-90% off sale. Supposedly, there are new taffetas and dupionis (please reenactors, don't ever use that stuff) from such names as Scalamandre, Pierre Frey and Vervain for as low as $10/yd. You got my attention, I will certainly browse around your crazy website for fabrics that I cannot buy just yet. In addition, there is a "site-wide sale up to 65% off." So ... yeah. I'm tellin' ya, you can't make this stuff up! Totally bizarre.
So I went looking for stuff that's $10/yd. I haven't found much yet, but what I did find was a lovely medium-weight silk taffeta by Scalamandre for $15/yd (retail is $242.60/yd, they sell it for $99.99/yd):
I think that would make a lovely sacque for a ball. I'm still not 100% on weights, though, so it may be too heavy as a medium. But, it would be lovely as something!
My favorite color combination is purple and yellow. Any shade of purple and any shade of yellow is all right with me. My dressage saddle bag is purple with yellow trim, I have purple polo wraps and yellow polo wraps for my horses (somewhere ...), I wear purple constantly ... I'm a fan. So, I love this Vervain shot taffeta in purple and gold, on sale for $22.50/yd (retail is $332.60/yd, DDF sells it for $149.99/yd):
Another sacque for another ball. Or just a sacque in undress. Hell, I just want to make a gown from it!
This looks very, very familiar to me ... completely out of my reach at $90/yd but I feel like I've worn it before ...
Yep, I have worn it before!
What's your "if money was no object" fabric that you would love to get your hands on?
Showing posts with label crossbarred silk taffeta. Show all posts
Showing posts with label crossbarred silk taffeta. Show all posts
23 September, 2011
11 August, 2011
In the beginning ...
There was a dress. Not just any dress, but an 18th century gown. Based on an original in the Kyoto Costume Institute, it was a pink, yellow and green crossbarred silk taffeta robe a la français.
I wore that dress nearly two years ago to the day.
It was the beginning of a head-first plunge into living history, reenacting, learning about sewing, garments, gown construction. I was hooked, bitten by this gown, by the stays that transformed my body, by my suddenly small waist and huge, false hips, by the feeling of wearing the past. I am still giddy over that gown.
Now, two years later, I've embarked on a journey to learn how to hand sew in the period technique, how to construct my own 18th century wardrobe, and soak up as much knowledge and information and education that my brain can absorb. How fortunate am I to have my own 18th century Fairy Godmother, who has taken me under her wing and began my 18th century education the right way? And for the introduction to her through a friend and professional colleague (who has always believed in me, no matter what ridiculous direction I happen to throw myself into); it truly made me believe in fate.
And so, this is the beginning. Bring band aids.
I wore that dress nearly two years ago to the day.
It was the beginning of a head-first plunge into living history, reenacting, learning about sewing, garments, gown construction. I was hooked, bitten by this gown, by the stays that transformed my body, by my suddenly small waist and huge, false hips, by the feeling of wearing the past. I am still giddy over that gown.
Now, two years later, I've embarked on a journey to learn how to hand sew in the period technique, how to construct my own 18th century wardrobe, and soak up as much knowledge and information and education that my brain can absorb. How fortunate am I to have my own 18th century Fairy Godmother, who has taken me under her wing and began my 18th century education the right way? And for the introduction to her through a friend and professional colleague (who has always believed in me, no matter what ridiculous direction I happen to throw myself into); it truly made me believe in fate.
And so, this is the beginning. Bring band aids.
| Me, August 2009. Gown by the amazing Hallie Larkin, my 18thc. Fairy Godmother, to whom I owe my 18thc. obsession to. Photo by Ed Nute. |
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