Showing posts with label exhibit. Show all posts
Showing posts with label exhibit. Show all posts

13 March, 2012

Happy 279th Birthday, Johann Zoffany!

Looking back on earlier posts, it seems as if I never posted about Johann Zoffany and the exhibit at the Yale Center for British Art that I went to see before it closed back in February. Zoffany quickly surpassed Copley for me, as an artist, though his clients are the super aristocrats of Europe versus the wealthy in the colonies. Still, Zoffany's level of detail is exquisite, and one could easily scrape off the excess of his clientele and use his works as inspiration for clothing fit for the gentry class here in New England (and if you scrape even more off, probably the middling class).

Thanks to Twitter, I learned that today is Zoffany's birthday (many thanks to the Two Nerdy History Girls for retweeting the Georgian Gentleman's tweet about it), so, many celebrations to Mr. Zoffany! I will raise a toast to him tonight! Below, my favorite painting by him; look at that blue riding habit!

The Drummond Family, ca. 1769. Johann Zoffany. Oil on canvas.
Yale Center for British Art, Paul Mellon Collection. No accession
number given.

18 January, 2012

Twelfth Night Wrap-up, and More Projects

Every time I log into Blogger and see that I have more followers, even after not blogging for several works, it gives me the urge to write. So, thank you to the many new followers for joining, and I will certainly do my best to continue posting!

This past Friday evening was the Sudbury Twelfth Night colonial ball; it was held at the Wayside Inn, in Sudbury, MA, and it was my first ball! I have yet to see any photos that include me, but when I get them I will be sure to post them. I wore my printed cotton gown (since it's the only gown I own!), with a hip roll and I added silk ribbons and brass buttons to polonaise it in the back. The wig looked amazing, my dear friend Miss Liz did such an amazing job with it and I am eternally grateful to her for taking the time to simultaneously style it and explain how she was styling it (not to mention purchasing it and the accessories to help make it big, as well as to decorate it). It was a huge compliment when a local, well-known wig maker told me that he loved my hair, it certainly gave me a bit more bounce in my step!

The best part of the whole evening was just enjoying the company of my friends; I really felt like I've become a reenactor, and am not some 21st century gal just playing dress up in reproductions of old clothes. That feeling was validated when Miss Hallie told me how beautiful I looked, and how I was really carrying myself correctly, and actually wearing the clothes. We both agreed that I had come a very long way from the first time I tried her gowns on, posing like someone was taking my photos for Facebook or Myspace! I am just in awe of my friends, they are amazing people and I truly adore them and appreciate all of their help with my newbie questions. You guys know who you are!

In addition to Twelfth Night, that weekend was also the kick-off of the new Hive season! Prior to the Sunday Hive, I enrolled in a shirt workshop for that Saturday, and had a great time learning some very helpful new tricks. Eventually, my rectangles and squares of fabric will become a riding habit shirt; it is similar to a man's shirt but shorter. It is also giving me the skills and know-how to finally make a shift (I was positively delighted when my $20 cotton muslin shift that I purchased a few days before an event over the summer started ripping at the center back of the neck on Sunday morning!); I'm using a teeny needle and trying to make incredibly small backstitches: every thread of the linen is a backstitch. So yes, very teeny! And loads of stitches per inch. I will be photographing some of the seams eventually, I just hope they appear as it's white-on-white! One helpful trick I learned was pulling threads to create a cutting guide; I have a terrible time trying to cut straight and now that I know how to pull a linen thread across the warp and weft, I will no longer have crooked cuts!

Sunday's Hive was a great first session, and I was asked to speak in one of the sessions. That is totally a Really Big Deal and I was honored to speak in the session called Using Props as Interpretive Tools. I gave a newbie's perspective on how you can use your clothing as your prop, and the research that has gone into the garment as well. I spoke after one of the NPS Park Rangers, who is an award-winning interpreter and does this daily (he is also the hubby of my good friend 'Mrs. Derby,' aka Miss Em). Those were some big shoes to fill, and I could certainly see why he's won awards! When Minute Man opens back up again to reenactors volunteering at the various houses, I will be volunteering with 'Mr. Derby' and soaking up all of his knowledge.

I'm still working on my stays (albeit incredibly slowly; did I mention I have a tight deadline to finish them, too?), and need to blog about the Mercy Bradford Cloak Mystery. Miss Hallie examined the cloak with me and answered all of the questions I had about the cloak as a garment; I still have to do the genealogical research to see if we have a Bradford or Brewster descendant. How I wish I could ask the donor!

Speaking of the museum, I'm busy working on their next big exhibit that is opening February 1st and will be up until December 31st, called Written, Printed, & Drawn: Rarities from Plymouth's Past. It's all maps, rare documents, and rare books, and promises to be a great show. There will even be a small section dedicated to the War of 1812! I've already created the 6'x6.5' vinyl banner and sent that off to the printer and we're working on the text panels. I was given loads of creative freedom and we are having a fabulous time working on them. I'm so excited for the show to open up!

28 August, 2011

What's Under Things? Hidden Colonial Clothing, Part II

As Tropical Storm Irene rages on (our power has flickered and gone out twice, but thankfully came back on!), now is the perfect time to showcase the crème de la crème of What's Under Things? I hope my readers along the eastern seaboard are safe and dry!

27 August, 2011

What's Under Things? Hidden Colonial Clothing, Part I

My apologies, dear readers, for my absence! The procedure on Wednesday went smoothly, and I slept quite a bit. I had to stay off of my feet and when reclining, sleep just happened to come quite easily. Since I had a couple of days off, I'm going to change up the format just a little bit and instead of fly-by posts, talk to you about the exhibit I worked on and am so proud of! Part I begins beneath the jump.

24 August, 2011

A little teaser

I've been meaning to write up a blog post on What's Under Things? but the editing of the photos took much longer then I thought it would--it is quite difficult to photograph in a dark museum when you can't take off the plexiglass bonnets or have lights set up! It was also a reminder to not trust what's looking back at you on your LCD screen, I didn't realize just how dark the photos came out! It's a good thing I shot in RAW and use Adobe Lightroom.

By the time this is posted to the masses on Twitter and Facebook I'll be having a minor surgery, so I plan on working on the big post about it when I get home, to post tomorrow. I haven't shaped the blank straw/chip hat yet, either, so that's another thing on my list to do! But, this weekend is all about the printed cotton gown, which is exciting, and I'll be debuting it earlier then I thought, huzzah!

Enjoy these lovely 18th century shoes Pilgrim Hall has in its collection:


This photograph is mine. Please do not take it or use it without permission.

19 August, 2011

Accessories!

My blank straw/chip hat from Just Two Tailors arrived in the mail two days ago, and this weekend I plan on shaping it. Silk ribbon has been ordered from Wm. Booth, Draper to decorate it, as well as a pocket embroidery kit by Southcoast Historical. Not sure when that package will arrive, hopefully this weekend, so I can show my haul here. I'm really excited about this pocket; my friend Sam illustrated it based on extant samples in private and museum collections, and she's a very talented illustrator. So talented that her designs have been ripped off! That means you're successful, right?

I've got a very special treat in the works as well. This past Monday I photographed an exhibit I designed for my portfolio, and the curator has given me his blessing to blog about it (he is also a close personal friend, so maybe that had something to do with it). Woohoo! The exhibit is called What's Under Things? Hidden Colonial Clothing, and is focuses on 17th and 18th century underwear (and one 19th century item, a busk)! I did the graphic design for the exhibit (with the exception of the labels) as well as consulted on the layout and flow of the cases. I'm excited to show this exhibit off, I'm very proud of it, and there are some great pieces--like an extant 17th century bodice with provenance to Mayflower passenger Mary Chilton Winslow, and an extant 18th century working class stays. So sweet! The tiny lace stomacher is also a great extant example, even though it looks like a certain type of women's underwear.

What's Under Things? is on display until December 31st, 2011, at Pilgrim Hall Museum in Plymouth, MA. 75 Court Street. Open 9:30 - 4:30 daily.

So, stay tuned! Some great stuff coming up!